Groundbreaking Mobile Lens System
A game-changing innovation has just disrupted mobile filmmaking. ShiftCam, in collaboration with TUSK, has officially launched the world’s first commercial-grade mobile lens and filter system—the CINEMA//Series. This revolutionary product is set to transform how creators use smartphones for high-end cinematography, bringing professional filmmaking tools to everyone.
The Future of Mobile Cinematography is Here
For years, filmmakers and content creators have searched for high-quality, lightweight alternatives to bulky cinema gear. The CINEMA // Series delivers the ultimate solution, offering professional-grade optics in a compact and portable design. This revolutionary system includes seven high-end lenses and eight cinematic filters, crafted to deliver stunning visuals straight from an iPhone.
Smartphone cameras have already proven their worth in professional settings, with Netflix-approved devices like the iPhone 15 Pro Max being used for high-end productions. Now, ShiftCam and TUSK are pushing creative boundaries even further.
What Makes the CINEMA // Series Stand Out?
Unlike conventional smartphone lenses, the ShiftCam x TUSK CINEMA // Series integrates fluorite crystal optics, ensuring exceptional clarity and minimal distortion. The lenses feature multi-layer coatings that enhance sharpness, reduce glare, and provide UV and infrared protection. The lightweight, aerospace-grade aluminum build makes it an ideal choice for filmmakers on the move.
This cutting-edge system also boasts a Quick-Mount feature, allowing seamless lens swaps in seconds. A magnetic filter adapter further enhances creative control, enabling instant filter changes without disrupting the workflow.
The Power of Seven Pro-Grade Lenses
The CINEMA // Series includes a range of seven professional lenses tailored for diverse filmmaking needs. These include:
- 60mm Telephoto Lens for perfect subject isolation.
- 75mm Long-Range Macro Lens for detailed macro shots from a distance.
- 18mm 1.33x Anamorphic Lens for cinematic widescreen visuals with signature flares.
- 15mm 1.55x Anamorphic Lens for a broader anamorphic effect.
- 16mm Wide-Angle Lens for capturing vast landscapes and interiors.
- 25mm 10x Macro Lens for extreme close-up details.
- 8mm 200° Fisheye Lens for dramatic ultra-wide perspectives.
Each of these lenses is meticulously engineered to maximize creative potential while maintaining portability.
Game-Changing Cinematic Filters
Filters play a crucial role in achieving professional-grade cinematography, and the CINEMA // Series doesn’t disappoint. ShiftCam and TUSK have introduced eight magnetic filters, including:
- Circular Polarizer (CPL) for reducing reflections and enhancing color contrast.
- Black Mist 1/2 for a soft, dreamy cinematic effect.
- Variable ND filters for precise exposure control in varying lighting conditions.
With these tools, creators have full control over their visuals, achieving stunning effects without complex post-production.
The Ultimate Alternative to Expensive Cinema Gear
Traditional cinema equipment is often expensive and cumbersome. The ShiftCam x TUSK CINEMA // Series changes this by offering an affordable, high-quality alternative. For independent filmmakers, travel vloggers, and content creators, this means professional results without the burden of heavy gear.
This system is designed to excel in fast-paced environments, discreet filming scenarios, and live streaming setups. With mobile filmmaking gaining momentum, the CINEMA // Series is redefining industry standards.
Now Available for Purchase
Following its official launch, the CINEMA // Series is now available for purchase, with a full package priced at $1,949. A fraction of the cost of traditional cinema gear, this system makes professional filmmaking accessible to more creators than ever before.
ShiftCam and TUSK’s collaboration marks a pivotal moment in mobile filmmaking. The CINEMA // Series empowers creators with an unprecedented level of flexibility, portability, and professional-quality results. With its launch, mobile filmmaking is no longer just an alternative—it’s the future.
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